ambient drift
Long-form mixes that move like tide. Two-hour sets without a hard cut, layered field recordings, generative pieces, and unhurried selections from the deep crates.
14 showsavg. 96 min
the stream is being wired in — broadcast begins shortly.
broadcasting · slow current · always on
fischradio is a small, patient radio station. A slow current of music, ambient broadcasts, midnight monologues, and field recordings from somewhere below the surface — sequenced by hand, played in order, designed to be left on.
manifesto · 001
fischradio began as a small experiment — a question about what radio could feel like if it remembered that you might be doing dishes, reading in bed, driving home in the rain, or simply staring at a wall. We wanted something that didn't shout.
Every show is sequenced by a person. Every transition is on purpose. Tracks bleed into each other; mistakes get left in; the host occasionally forgets to introduce the song, and that's fine. The format is permission to drift.
We don't chase trends. We don't optimise for retention. We don't run ads. We broadcast slowly, on purpose, from below the surface — and you are welcome here for as long as the signal holds.
Long-form mixes that move like tide. Two-hour sets without a hard cut, layered field recordings, generative pieces, and unhurried selections from the deep crates.
14 showsavg. 96 min
Voices from the night shift. Interviews recorded after midnight, half-asleep monologues, dispatches from listeners, and the occasional crank call we kept in.
22 showsavg. 41 min
New finds and old favourites, sequenced by hand. No mood playlists, no recommendation engine. Just one person, one hour, a stack of records, and an opinion.
31 showsavg. 58 min
voices · the people behind the desk
Wellington · ambient, generative
Records his sets at low tide, when the harbour is quiet. Believes a good mix should be long enough to fall asleep to and finish a thought.
residency Deepwater Sessions · Mondays
Lisbon · conversation, archive
A two-person dispatch. Half interview show, half kitchen-table argument. They will dig into a record until it surrenders.
residency Tide Pool Talk · Wednesdays
Tel Aviv · electronic, ritual
Friday-night sets that begin patient and end somewhere strange. Lior reads poetry between tracks and refuses to explain himself.
residency Bioluminescence · Fridays
Berlin · morning, jazz, folk
Mornings only. Brings coffee, brings a record stack, doesn't take requests. Closes every show with a song her grandmother used to sing.
residency Morning Reef · Sundays
schedule · this week
archive · recent transmissions
Two hours of slow-tempo ambient and unreleased pieces from the Marlin tapes.
Marina and Caspian sit down with ki:moon to talk about field recording in the off-season.
Lior's longest set this year, with a reading of Mary Oliver's The Summer Day at the half-mark.
Aria stops in for a one-hour set of unreleased work and a brief, quiet interview.
Ada opens with Alice Coltrane and closes with a song her grandmother used to sing.
2,140m
depth below sea level
214
hours broadcast this season
9
residents on rotation
0
algorithmic playlists used
We wanted a station that you could leave on for a week and never feel sold to — a slow channel for people who already know what they like but want to be surprised once or twice a night.
— from the founding letter, winter 2025
signal · weekly letter
What we played, what we're listening to, what's coming up. Sent on Sundays. No tracking, no fluff. Unsubscribe with a single click.